The rest of the film has Faasil at his best, blossoming on the sidelines. Prasad, as we learn his name deep into the film, doesn’t show his face, instead he tiptoes into the scene with smooth, staccato strings accompanying his action of chain snatching. Even his introduction scene turns from perfunctory to grand in seconds.
Haunted, ethereal female vocal over slow staccato strings, builds with sustained. It is partly due to Pothan’s artful staging, but a lot of it rests on Faasil’s invisible performance as an inscrutable vagrant, his non-answers guiding us through his tumultuous backstory, something that transforms an unscrupulous character into someone to be empathised with.Sound design with attitude, glitching choir and cutting percussion.
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